Another insightful and interesting post on http://muddycolors.blogspot.com/ by Gregory Manchess
source : http://muddycolors.blogspot.com/2012/05/10-things-i-rememberabout.html
Pasted for my convenience
Ever hear of the three P’s? Perfection. Procrastination. Paralysis.
I used to start a piece needing it to be the best thing ever:
perfection. It had to solve every problem of my portfolio development,
it had to stimulate, it had to thrill, it had to make clients call me,
it had to make women weep.
It was too much to accomplish. So, I hesitated: procrastination. The
more I hesitated, the bigger the problem became, until it was so great I
couldn’t start since it would surely fail on any level: paralysis. Idea
abandoned.
It was simply fear.
Below are a few things I’ve used over the years to forge ahead. Once in a
while, after having put in tons of effort on other paintings, a new one
pops out almost having painted itself, as the saying goes. These points
will work for you. I promise, but you have to apply them. Don’t wait
for inspiration. It’s fickle and unreliable.
And no, there aren’t exactly ten points here. Sometimes, we just don’t need that much to begin.
1. Force a deadline.
I give myself a deadline. Could be a week, a day, an hour. For example:
‘I must put something on the page by 3 pm or I will get “those feelings”
back.’ Feelings of inadequacy. A pit in my gut that suggests that time
is passing and I’ve nothing to show for it. Life is full of
distractions. That’s why I clear a path, make room, and show up on time
for my own deadline. I begin whether I want to or not.
2. Seek stimulation.
Lots of times I look at others’ work. Studying the paint, the color, the
shapes, the ideas of other painters stimulates something deep inside. I
want to feel the same strokes, I want to understand the same feelings
for myself. I can barely contain wanting to experience that quest.
3. Make it urgent.
I’ve always been in a hurry. I’m not sure why, other than I have a very
heartfelt impression of life being very short. Always have. I hate
wasting time on worry or hesitation. (even though I trip over both) I
know that every effort I make now is rewarded down the line by saving me
future effort.
4. Use fear.
There’s nothing to be afraid of. In fact, I should be afraid. If I feel
fearful, I know I’m on to something. I am about to discover what makes
me tick. I want it to be authentic and real, and I fear that I might be
an imposter. Everyone does. So forget that junk. We’re all afraid of
discovery. At first.
5. Fail first.
Sometimes, I have to fail first. I don’t want to fail because it’s
irritating and painful, and absolutely no fun. But I know that failure
leads to interesting combinations, better solutions, success. We’ve
spent thousands of years evolving, learning, testing. There is no other
way. Yes, sometimes things come quickly, but only after tons of effort.
Make that effort. Rinse and repeat.
6. Share the struggle.
I listen to and watch other painters talk about their struggles, their
form, their techniques, research, and discoveries. The patterns are
similar and the principles are always the same. I glean enthusiasm and
inspiration from watching other artists penetrate the same travails that
I encounter. And I steal their magic powers to push on through.
7. Just begin.
There is ONLY this. Prepared or not, begin. When I write, I don’t get
writer’s block. I know from painting what is needed. I must start
drawing, immediately. The writer must start putting words on paper.
Doesn’t matter how bad, a writer will break that hesitation by throwing
words on paper. Same for me. I put thumbnails down. The sooner the
better. It breaks every spell. I can start to understand the problem,
build the mood, the expression. Nothing is solved or expressed until I
throw down a perimeter and draw within it. Nothing.
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